Apple Scary Fast Event Shot on the iPhone 15 Pro Max
Apple was so confident in their new lineup of M3 Macs that they shot the entire Scary Fast keynote event exclusively on the iPhone 15 Pro Max. Talk about cinematic.
Apple was so confident in their new lineup of M3 Macs that they shot the entire Scary Fast keynote event exclusively on the iPhone 15 Pro Max. Talk about cinematic.
During the highly anticipated 2023 Adobe MAX Sneaks presentation, Adobe astounded the audience with a remarkable array of experimental features that harnessed the incredible capabilities of generative AI. These innovative tools were designed to revolutionize the realms of video, audio, and 3D design, ushering in a new era of creative possibilities.
Before diving into the list of remarkable features showcased at the 2023 Adobe MAX Sneaks presentation, it’s worth highlighting not only Adobe Firefly, but also Project Stardust, an impressive innovation that has the potential to transform image editing. Adobe Firefly is already revolutionizing content creation across video, audio, animation, and motion graphics. It streamlines video editing, reducing post-production time and automating tasks. In audio, it enhances sound quality, simplifies dubbing, and caters to global audiences. In animation, it empowers creatives with lifelike movements and stunning effects, enhancing overall efficiency.
Meanwhile, Project Stardust simplifies the process of selecting, editing, and even deleting complex elements within any image, ushering in a new era of intuitive, accessible, and time-efficient image editing. For instance, this groundbreaking tool allows users to select individuals within a photograph, relocate them within the composition, and seamlessly fill in the background where they once stood. Users can also tweak elements like clothing color or positioning, treating static images as if they were files with layers.
Now, let’s delve into the impressive array of features demonstrated at this year’s Adobe MAX Sneaks presentation:
One of the most groundbreaking unveilings was Project Fast Fill, which introduced the power of Firefly generative AI to the realm of video editing. For the first time, this tool allowed users to effortlessly remove objects or seamlessly alter background elements within video footage, matching the quality and fluidity of traditional still image editing. With Project Fast Fill, users could achieve feats like removing an unwanted person from a video clip or seamlessly transitioning a scene to a completely different location. The AI’s prowess automatically filled the void with realistic content that harmonized perfectly with the surrounding environment, opening up endless creative opportunities.
Project Dub Dub Dub was another game-changing feature that showcased Adobe’s prowess in AI automation. This tool streamlined the complex process of video dubbing by automatically translating a recording or audio track into all supported languages. Remarkably, it preserved the original speaker’s voice, ensured temporal alignment with the original dialogue, and readied the content for global publication. For video creators, this was a monumental time-saver, facilitating the process of translating content for a worldwide audience and making videos more accessible to non-English speakers.
Project Scene Change is a new technology that makes it easy to composite a subject and a scene from two separate videos — captured with different camera trajectories — into one scene with synchronized camera motion.
This is done by using artificial intelligence to render a 3D representation of the background scene from a prerecorded image as if it was captured by a free-moving camera. The separately filmed subject is then composited into this new scene with proper shadows, creating a realistic and seamless effect.
Project Scene Change has the potential to revolutionize the way video editors work, as it removes any limitations due to the camera motion of existing video assets. This means that editors can now place a subject into any environment they want, with realistic camera motion, without having to reshoot the footage.
Project Neo is a new technology that enables creators to embrace simplified 3D design within 2D tools and methods.
This is done by using a new, unified 3D and 2D design space that allows creators to work with 3D objects in the same way that they would work with 2D shapes and images.
Project Neo also includes a number of new features that make it easier to create and edit 3D objects, such as non-destructive modeling and real-time rendering.
Project Neo has the potential to make 3D design more accessible to a wider range of creators, and to open up new possibilities for creative expression.
Project ResUp is a new technology that uses artificial intelligence to upscale low-resolution images and videos to high resolution without sacrificing quality.
This is done by using a deep learning model that has been trained on a massive dataset of high-resolution images and videos. The model is able to learn the patterns and relationships between pixels in high-resolution images, and then use this knowledge to upscale low-resolution images and videos in a way that preserves detail and quality.
Project ResUp has the potential to be a valuable tool for creators who need to upscale their legacy work for different platforms, such as social media, print, or large-screen displays. It can also be used to restore old or damaged images and videos.
Beyond the sphere of video, Adobe didn’t hold back on revealing innovative AI-powered tools for audio and 3D design. Project Poseable, a prime example, was a novel AI-based image generation model that facilitated the creation of realistic 3D images and videos of people, even in intricate or impossible poses that would challenge traditional cameras.
Meanwhile, Project Draw & Delight emerged as a comprehensive suite of generative AI tools that breathed life into raw ideas, often mere doodles or scribbles, by transforming them into refined illustrations. This could really come in handy for those who can’t draw, looking to create compelling storyboards.
These dazzling examples are just the tip of the iceberg. Adobe’s commitment to AI-driven innovation is poised to change the game again for the creative landscape. These tools have the potential to democratize creativity, making it accessible to individuals of all skill levels. In the grander scheme of things, as AI technology continues to advance, we can anticipate an influx of even more innovative and potent tools that will enable us to explore and express ourselves in novel and thrilling ways. The democratization of creativity, enhanced accessibility, and a more powerful creative toolkit await us, thanks to Adobe’s pioneering efforts in the AI realm.
But the question remains … is it too late to keep this genie in the bottle?
CinePi is an open-source cinema camera project that aims to democratize filmmaking by offering a build-it-yourself camera that enthusiasts can customize to their preferences at a remarkably low cost. The project was inspired by Csaba Nagy’s fascination with cinema cameras and his desire to make them more accessible to the general public.
CinePi is powered by a Raspberry Pi, an easily accessible and affordable single-board computer. Nagy’s first prototype was capable of capturing 2K video at up to 50 frames per second, but with the introduction of the Raspberry Pi 4, he was able to achieve impressive 4K resolution with 12-bit Cinema DNG Raw.
The second iteration of CinePi features a Super8-sized Sony IMX477 image sensor that can record up to 4K video in 12-bit Raw. It is also equipped with a Raspberry Pi 4B processor, a next-generation camera module, support for external SSD recording via USB 3.0, a four-inch high-resolution LCD touchscreen, and a fan-driven Noctua cooling system. Nagy is also working on adding HDMI output while maintaining a simultaneous LCD preview.
The camera is equipped with a high-capacity internal battery and housed in a 3D-printed case featuring 1/4-20 mounting points, Ethernet, USB 3.0, and various other ports. The only downside is the reliance on a screw-on C-mount lens for the Raspberry Pi’s camera module, which often results in using security camera optics of lower quality or hard-to-find Russian-made lenses. However, CinePi users can opt for C-mount lens adapters to maximize image quality.
The total cost of the CinePi project hovers just under $400. The most expensive components include the Pimoroni HyperPixel 4” touchscreen at $75.00, the 8GB Raspberry Pi 4 processor board at $75.00, and the Pi HQ camera module at $50. The remaining off-the-shelf cables, connectors, switches, computer fans, and 3D-printed casing come in at under $22.
CinePi is still in the development stage, but Nagy has released a detailed build guide and all of the necessary software on his GitHub page. He is also working on a more comprehensive user manual and a community forum where CinePi users can share tips and tricks.
The CinePi project has the potential to revolutionize the filmmaking industry by making professional-grade cinema cameras accessible to a wider range of creators. This democratization of filmmaking could lead to a more diverse and innovative landscape of visual storytelling.
CinePi is also a valuable educational tool for aspiring filmmakers, providing hands-on experience with the inner workings of cinema cameras. This knowledge can be essential for success in the film industry, where a deep understanding of camera technology is often required.
The CinePi project is an exciting development in the world of filmmaking. It offers an affordable, accessible, and customizable way to build a professional-grade cinema camera. CinePi is still in its early stages, but it has the potential to revolutionize the industry by making filmmaking more accessible to everyone.
In addition to the above, I would like to add that CinePi is a great example of the power of open-source software and hardware. Nagy’s willingness to share his work with the world has enabled other creators to build and customize their own CinePi cameras. This has led to a thriving community of CinePi users who are constantly innovating and pushing the boundaries of what is possible with this affordable platform.
What does the future hold for CinePi? Well, that depends on how far Nagy wants to take it. But judging from the growing community and the availability of next generation designs, it’s sure to have the potential to change the way that films are made and to make professional-grade filmmaking more accessible to everyone.
Adobe has released its latest update to Premiere Pro, promising a series of enhancements that will make video editing more efficient and introduce a groundbreaking text-based editing feature.
The update includes a new high-performance timeline drawing feature that significantly accelerates the editing process. This enhancement results in “buttery smooth editing and trimming,” making the editing timeline more responsive than ever before. Editors can expect faster and more fluid video editing, reducing frustration and saving valuable time.
Another significant addition is the “Save Projects as Templates” feature, which streamlines project organization. This feature enables editors to initiate new projects with bins and sequences already meticulously organized. These templates can be applied to ensure consistent branding, color styles, and asset management across multiple projects, simplifying post-production workflows and enhancing consistency from one project to the next.
One of the most exciting features of this update is the introduction of text-based editing. This game-changing feature includes a batch deletion function, allowing editors to select and delete multiple instances of text with a single click. Deleting text also trims the corresponding section of the video file, offering greater control within the transcript view.
In the audio realm, a multi-channel audio feature enables users to re-transcribe audio files using a specific channel or a mix of multiple channels, providing more flexibility and precision in the editing process.
Other notable features in the October 2023 update include:
The October 2023 update of Premiere Pro is now available to Creative Cloud users. With these improvements and innovative features, Adobe continues to push the boundaries of video editing software, providing an enhanced and more efficient editing experience for professionals and enthusiasts alike. Whether you’re a seasoned editor or just starting your video production journey, this update promises to elevate your creative capabilities and streamline your workflow.
Apple has acknowledged the overheating issues plaguing its latest flagship smartphone, the iPhone 15, and has pledged to rectify the issue through a forthcoming firmware update. In an official statement, Apple attributed the overheating problem to two key factors: increased background activity in some third-party applications and a bug within the iOS 17 operating system. The company did not provide specifics regarding the nature of these issues, but did confirm that the iPhone 15 has been running “warmer than expected.”
Numerous users have reported instances of overheating, particularly while using the device in conjunction with charging via the new USB-C cable connection. The heightened background activity during the initial days of use, often driven by the installation of preferred apps and the transfer of data such as photos, videos, and music playlists from previous devices, places additional strain on the iPhone, forcing it to work harder to ensure a swift transition without disrupting the user experience.
Apple’s statement also shed light on another contributing factor: recent updates to third-party apps that have been overloading the iPhone’s A17 Pro processor and other components, following software updates designed to leverage the enhanced performance of the iPhone 15. Notably, Apple mentioned its ongoing collaboration with app developers to deploy fixes aimed at resolving this issue.
Apps like Instagram, which have undergone recent updates to take advantage of the iPhone 15’s increased capabilities, were specifically identified as culprits in overloading the device’s processing system. Apple noted that Meta, the parent company of Instagram, has made efforts to reduce power consumption and lower processor temperatures.
Furthermore, Apple admitted the presence of a bug within iOS 17, described as “impacting some users.” The company assured its users that this issue would be addressed in an upcoming update, with a focus on optimizing power management while preserving the iPhone 15’s acclaimed performance, especially in resource-intensive applications such as gaming and video recording.
Although the imminent iOS 17.1 update is expected to alleviate the overheating problem from a software perspective, concerns persist about the device feeling warm to the touch. Apple emphasized that the titanium and aluminum exoskeleton, exclusive to the higher-end iPhone 15 Pro and Pro Max models, is engineered to rapidly dissipate excess heat.
However, this advanced technology is not incorporated into the base models, including the iPhone 15 and 15 Plus, both of which have experienced overheating issues. Consequently, uncertainty surrounds whether the forthcoming software fix will comprehensively resolve the problem or if Apple will need to continue troubleshooting.
Currently, iOS 17.1 is undergoing beta testing to evaluate the efficacy of the temperature-reduction changes. As of now, Apple has not announced a specific release date for the update. Encouragingly, not all users have reported experiencing the overheating problem, suggesting that it may be a temporary concern for those affected.
Apple remains steadfast in its commitment to delivering a top-tier user experience. Acknowledging the iPhone 15’s overheating issue is a significant step toward addressing customer apprehensions and providing a timely resolution.
With a host of sensors and fined-tune algorithms, the DJI Mini 4 Pro touts an impressive obstacle avoidance feature that promises a sphere of protection against collision. By rerouting the drone and finding a new way to keep active track, the drone is able to stay locked on target and avoid crashing. But just how good is it? One YouTuber sought to find out, testing the UAV to its absolute max. And the results are impressive, but not perfect.
Check it out –
Sony has thrown its hat into the wireless microphone arena with three game-changing devices designed to cater to the needs of professionals in videography, podcasting, and live streaming.
ECM-W3/W3S: High-Performance in a Compact Package
Sony’s ECM-W3 steps into the ring to take on the likes of RØDE Wireless Pro and DJI Mic, offering professional-grade sound quality with universal camera compatibility. Its lightweight design, featuring both transmitter and receiver, ensures portability and ease of use. With three 14mm large diameter capsules, it captures crisp audio while reducing ambient noise.
Specifications:
ECM-S1: Streamlined for Live Streaming and Podcasting
For live streaming and podcasting aficionados, the ECM-S1 delivers a simple yet effective solution. Its three capture modes – Monoaural unidirectional, Omnidirectional, and Stereo unidirectional – cover a variety of recording needs. The included pop filter reduces plosives, and its desktop stand is adjustable for optimal positioning.
Specifications:
Pricing and Availability
These cutting-edge microphones come at an accessible price point: ECM-W3 ($469), ECM-W3S ($349), and ECM-S1 ($419). Preorders are now open through authorized Sony dealers. The ECM-S1 is set to ship in October 2023, while the ECM-W3 and W3S will follow in November 2023.
Sony’s new wireless microphones are poised to reshape the audio landscape for professionals and enthusiasts alike.
DJI has unveiled its latest and most advanced consumer drone yet, the Mini 4 Pro. This miniature UAV is packed with a plethora of cutting-edge features, including a redesigned camera with Dual Native ISO, omnidirectional object sensing, and extended battery life.
The Mini 4 Pro’s camera is a significant improvement over its predecessor, the Mini 3 Pro. It features a larger 1/1.3 inch CMOS sensor with 2.4μm 4-in-1 pixels, allowing for exceptional dynamic range in low light conditions and superior highlight and shadow detail. The camera also has a wider f/1.7 aperture lens that can be adjusted vertically, making it ideal for capturing both vertical video and still images for social media enthusiasts.
The Mini 4 Pro’s video capabilities are equally impressive, offering 4K HDR video recording at up to 60 frames per second (fps) and 4K 100 fps slow-motion video. Additionally, it provides recording options in DJI’s D-Log M or Hybrid Log Gamma (HLG), offering a vast color range and enhanced editing flexibility.
The Mini 4 Pro’s Dual Native ISO Fusion feature enables an ISO range of 100-6400 in normal mode, which extends to 12800 in Night Mode. This Night Mode incorporates an improved noise reduction algorithm for clearer, more detailed footage in low-light conditions, making it an ideal choice for professional-level post-production editing and color grading.
Unlike previous models that downscale slow-motion footage to 1080p, the Mini 4 Pro immerses users in 4K quality for every frame captured at 100 fps. Furthermore, it boasts the ability to capture still images at a remarkable 48 megapixels in RAW format, with HDR imaging and scene recognition, ensuring precise details and vibrant color shades.
The Mini 4 Pro offers three cinematic flight modes—Spotlight, Point of Interest, and the innovative Active Track 360°. Users can fine-tune their shots with a touch-sensitive trace wheel interface, achieving cinematic-quality aerial photography. With DJI’s O4 Video Transmission protocol, the drone can transmit the camera’s video signal in smooth 1080p/60fps Full HD live feed, reaching distances of up to 20 kilometers.
Beyond its remarkable camera capabilities, the Mini 4 Pro offers an array of modes, including MasterShots, QuickShots, Hyperlapse, and Panorama. A Quick Transfer mode simplifies the process of sharing original camera files directly to your smartphone without linking the remote controller.
The drone also incorporates omnidirectional object sensing technology, utilizing sensors placed around the aircraft to identify and avoid obstacles effectively. The Advanced Pilot Assistance Systems (APAS) further enhances safety by leveraging four wide-angle vision sensors and two downward vision sensors, creating a protective sphere around the drone. This enables automatic braking and navigation to circumvent obstacles.
DJI’s flight control modes provide a range of options, including Waypoint flight, Cruise Control, and an Advanced return-to-home feature. Waypoint flight’s automatic route function ensures precise route replication, while Cruise Control reduces operator fatigue during extended flights, resulting in smoother camera movements. The Advanced return-to-home feature plans a safe flight route back to the drone’s take-off point, easily bypassing obstacles. The AR RTH route feature adds confidence during return flights.
Despite the introduction of numerous cutting-edge features, DJI has successfully maintained the drone’s lightweight design. Furthermore, they have managed to increase the flight time, offering users up to 34 minutes of flight time with the standard battery and up to an impressive 45 minutes with the new Intelligent Flight Battery Plus.
The DJI Mini 4 Pro is available for purchase directly from DJI or through authorized retailers at a retail price of $759, which includes the DJI RC-N2 remote controller. Users have the option to purchase the DJI RC2 remote controller for a total retail price of $959. Both options are available as part of the Fly More Combos, which include three batteries, a charging hub, and a shoulder bag, priced at $1099 and $1159, respectively. Notably, the DJI Intelligent Flight Battery Plus is an additional $95 and is not sold in Europe.
With the launch of the DJI Mini 4 Pro, the world of drone photography and videography is set to reach new heights, offering enthusiasts and professionals alike a compact yet feature-packed aerial companion.
by James DeRuvo
Well, they tried really hard to assure the professional public NAB would still be on next month, but once Adobe cancelled their presentations and there was an uproar over a no handshake policy, the handwriting was on the wall. NAB2020 has been officially cancelled.
by James DeRuvo
Indiewire is reporting that the annual pop culture film, music and computer festival South By Southwest (SXSW) has been cancelled due to the Covid19/Corona virus outbreak. Could NAB be far behind?
SXSW follows other conferences including Google IO, Adobe Summit, CP+,and Mobile World Congress, all of which cancelled their annual gatherings over fears of attendees becoming exposed during travel. Adobe has said, however, that their annual Summit will be an online virtual experience this year.
There is even talk that the 2020 Summer Olympics in Tokyo will also be cancelled. The Games have only been cancelled one other time in its history, and that was in 1940, due to World War II. Ironically, those Games were also set to take place on Tokyo.
The announcement fresh off the heels of companies like Netflix, Starz, Lionsgate, Apple, Amazon and Warner Media all pulling out of SXSW in recent days. With the festival scheduled to begin March 13, organizers really had little choice but to call it quits for 2020.
As for NAB, the trade show association put out a statement signaling that the show will go on, but that it would be monitoring the overall situation as the conference approaches.
While the NAB stands firm in its commitment to hold the convention as planned, the health and safety of attendees and participants are NAB’s top priority. To that end, NAB is dedicated to providing rapid responses and assistance in support of the global NAB Show community’s participation plans.
NAB also pointed out that some manufacturers and attendees may have little choice but cancel due to US travel restrictions.
Video hardware company AJA has already pulled out, citing Corona virus fears, and if Adobe scuttled the physical summit they hold every year in Las Vegas in favor of a safer online event, you have to wonder if they may not make the trip as well.
I have a hunch more will follow suit as the time to travel to NAB draws near.